Exceptional Albums Released in 2025

Have you examined the Billboard album charts recently? Unexpected entries, such as Sleep Token, Ateez, and Brandon Lake, have recently appeared in the top ten. However, the singles charts remain relatively stagnant, with songs like “A Bar Song (Tipsy),” “Lose Control,” and “Die with a Smile” stubbornly maintaining their positions. The albums discussed below haven’t achieved such widespread dominance. Even Lorde’s singles leading up to her new album peaked at only number 36, and Addison Rae’s album experienced a sharp decline in chart position. Despite this, the spring and summer of 2025 have brought a diverse array of musical offerings, ranging from psychedelic hip-hop to folk, encompassing artists from diverse ages and geographical locations.

Addison Rae, Addison

Despite initial reservations, Rae’s debut album is surprisingly enjoyable. Collaborating with female songwriters from the Max Martin team, she draws inspiration from various artists, creating a distinctive and captivating pop sound.

Neil Young and the Chrome Hearts, Talkin’ to the Trees

The prolific Neil Young releases another album, his 46th or 48th (the exact count is uncertain). This album features a new backing band, blending elements of Crazy Horse’s energy with his folk style. The album offers a diverse range of musical styles, including wistful, scathing, and rebellious tracks. While not among his best, it displays his enduring creative passion.

Pulp, More

Pulp’s return after a 24-year hiatus is a significant event. Jarvis Cocker’s insightful commentary on sex and class resonates powerfully. More incorporates strings, disco beats, and Cocker’s signature vocal style, maintaining his wit and lyrical depth. The album’s themes touch upon the passage of time and the impact of lost love.

McKinley Dixon, Magic, Alive!

McKinley Dixon’s fifth album is ambitious and multifaceted. It features a complex narrative, numerous guest artists, elaborate arrangements, and rich metaphorical language. Despite its complexity, the album’s storytelling power is undeniable, narrating the journey of children grappling with loss and hope. The music seamlessly blends jazz, rock, and hip-hop, showcasing hip-hop’s creative versatility.

HAIM, I Quit

HAIM’s album explores themes of independence and self-discovery. The album features diverse musical styles, ranging from shoegaze to dance-pop, reflecting the sisters’ exploration of their individuality after break-ups. While not surpassing their previous work, I Quit showcases the band’s enduring talent and creative exploration.

Lorde, Virgin

Lorde’s new album revisits the maximalist sound and emotional depth of her earlier work. Addressing anxieties surrounding gender, identity, and body image, it employs pulsating, atmospheric beats. Although it lacks the immediacy of her earlier hits, Virgin hints at future artistic success.

Craig Finn, Always Been

Craig Finn’s sixth solo album, a collaboration with Adam Granduciel, is a poignant and introspective work. It follows the journey of a former minister searching for meaning across the country. Granduciel’s contributions broaden the musical landscape, complementing Finn’s masterful storytelling.

Jensen McRae, I Don’t Know How But They Found Me!

Jensen McRae’s second album reveals her emergence as a major talent. Her music blends folk, pop, and electronic elements, echoing influences such as Tracy Chapman, Joni Mitchell, and Taylor Swift. The songs offer honest portrayals of heartbreak, infused with humor and vulnerability.

Galactic with Irma Thomas, Audience with the Queen

Galactic’s collaboration with Irma Thomas results in a refreshing blend of New Orleans funk and contemporary sounds. The album showcases both new compositions and Thomas’s enduring vocal power, delivering a modern yet deeply rooted musical experience.

Momma, Welcome to My Blue Sky

Momma’s fourth album cements their status as indie rock leaders. The album embraces a grunge-inspired sound reminiscent of 1990s alternative rock bands. Its anthemic energy and nostalgic lyrics create an irresistible listening experience.

Sault, X

Sault’s latest album is another surprise release, characteristic of their enigmatic approach. This album showcases the duo’s deep grooves, stellar musicianship, and jazz-funk influences, incorporating elements of 1980s pop and other genres.

The War and Treaty, Plus One

The War and Treaty’s compelling story and musical talent are equally captivating. Their fourth album leans towards a country-influenced sound, building upon their existing blend of soul, gospel, and country. Their harmonies and honest songwriting are deeply engaging.

The Lumineers, Automatic

The Lumineers’ latest album incorporates electronic elements while retaining their folk-rock intensity. Despite a lack of initial media attention, the album’s success is evident in their ongoing stadium tours.

Sharon Van Etten & the Attachment Theory, Sharon Van Etten & the Attachment Theory

Sharon Van Etten’s collaborative album with her band demonstrates a shift towards a groove-oriented sound. The album showcases Van Etten’s continued artistic evolution, exploring fresh musical directions and thematic explorations.

Kip Moore, Solitary Tracks

Kip Moore’s sixth album reflects his independent artistic journey. Inspired by punk rock, it consists mainly of self-written songs and embodies a deeply personal and introspective style.

Michigander, Michigander

Jason Singer’s debut full-length album blends power-pop and emo influences, incorporating upbeat melodies and reflective lyrics that explore complex emotions.